The interview presented a Lil Wayne severely lacking in empathy and awareness, but it is also a mistake to understand him as a relatable character.
Even Drake made “Started From the Bottom.” You can’t just up and say you got so rich off all our broke-boy dreams that you don’t even get us anymore. We do it to escape our own shit, to buy in, for a couple minutes at a time, to the possibility that all those gems and jewels could be ours too. We don’t listen to songs about bros getting rich because we’re happy they have a lot of money. It’s a flat betrayal of the fan’s relationship to a rapper’s wealth. Lil Wayne’s dismissal of Black Lives Matter is shockingly tone deaf. You make sure they feel like active participants in your success. You maintain a sensitivity to your base’s struggles even when your new income means you no longer share them. You earn your riches speaking to the adversity you fought against growing up. It’s damning because rap is actually an awful lot like politics. Instead, he answered like a spoiled toddler, snapping, “I don’t feel connected to a damn thing that ain’t got nothing to do with me” and cutting the chat short because having to answer questions like this was making him feel like a politician. Wayne ought to have used Davis’s curt “What’s your thought on Black Lives Matter?” question as an opportunity to show that he’s attuned to the plight of the country’s aggressively policed black youth, something he failed to get across in that Skip interview. We found out that the Cash Money king is perhaps too enamored of his jewels when Davis asked why the hell he sat on Fox Sports’ Undisputed last month and told Skip Bayless he thinks racism is over. That someone with his jarring looks and propensity for filth can sit comfortably among 2016’s one-percent ruffles the rest. Those usually make for great TV: The very image of Wayne - grills, dyed dreads, face tats galore - is bound to fry the average stiff. For a while, Nightline’s Lindsey Davis engaged Wayne in what looked to be a rote Explain a Rapper to Your Prime-time Viewership questionnaire. On Nightline last night, Lil Wayne broke ranks with peers who carefully evade direct questioning. The only Frank Ocean Q&A of the last three years occurred when he was asked why he wore Vans to the White House State Dinner. Beyoncé and Rihanna have appeared on the covers of magazines they didn’t speak a word to. Sean’s track speaks to a new attitude that artists with a certain clout have taken toward interviews: fuck ‘em. The music journalist’s secret struggle is snapping artists out of the boredom of the interview circuit, where they’re likely to spend hours coming up with different ways to respond to the same four or five queries about whatever their business might be at the time. If he plans this well and he doesn’t put More Life up against any new album that could be seen as serious competition, Drake could have yet another chart-topper on his hands, which would make 2016 the second year in a row where he owns the highly-coveted spot more with more than one release.Detroit rapper Big Sean released a new song this week called “No More Interviews” that plays out like a press conference, addressing gossip about ongoing label and relationship drama, probably, one imagines, so Sean doesn’t have to keep giving the same answers to inquiring radio hosts and writers. His fanbase is rabid, and since he’s trained them to always be on the edge of their seats waiting for new music, they’re ready for whatever he puts out into the world at any time. 1 the week it’s released, as there is almost nobody that can shift more equivalent copies of an album (or a “playlist project”) like him. Both wound up on top of the Billboard 200 albums tally, as has Views, for an incredible 13 nonconsecutive weeks.Įven if More Life isn’t filled with Drake-only tracks, there’s a good chance it could go to No.
Lil wayne new album 2016 what it called full#
Last year, the hip-hop star dropped two full collections, though they were labeled as “mixtapes.” The first, If You’re Reading This It’s Too Late came in February, and a collaborative project with fellow rapper Future, What A Time To Be Alive, was shared with very little warning in September. 2 on the Billboard 200 this week-nothing is out of line for Drake, and his work ethic knows no bounds. While it would be crazy for many artists to even consider releasing a second album so close to another proper record, especially one that is still performing so well on the charts- Views is at No.
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